In 976, Wolfgang of Regensburg—bishop, reformer, and future saint—threw his axe from the summit of Schafberg and vowed to build a church wherever it landed. The blade spun through alpine air and buried itself in the forested slopes above a crystalline lake, and there the hermit-bishop raised his altar. Legend has it that the devil himself, tricked into labor by a promise of the first soul to enter the church, helped lay the stones—only to rage when a wolf, not a man, crossed the threshold first.
Today the lake bears Wolfgang's name, and his church draws pilgrims who come to venerate his memory and to stand before one of the supreme achievements of late medieval art: Michael Pacher's winged altarpiece, still in its original setting after more than five centuries. The climb to this lakeside town remains a pilgrimage in the ancient sense—a journey of both body and spirit through mountain passes where pilgrims once carried stones in penance and paused at rocks imprinted, tradition says, by the saint himself.
Wolfgang was born around 934 into the noble family of the Swabian Counts of Pfullingen. Educated at the renowned Benedictine abbey on the island of Reichenau, he formed a lasting friendship with Henry of Babenberg, whom he followed to Würzburg to study under the Italian grammarian Stephen of Novara. When Henry became Archbishop of Trier in 956, Wolfgang joined him and taught at the cathedral school, but the archbishop's death in 964 turned his heart toward the cloister.
He entered the Benedictine Abbey of Einsiedeln in Switzerland, where his zeal for teaching and reform flourished. Ordained priest by Saint Ulrich of Augsburg in 968, Wolfgang was sent as a missionary to the Magyars of Hungary—a mission that tested his patience more than it bore fruit. But the Emperor Otto II had other plans. At Christmas 972, he appointed this reluctant monk Bishop of Regensburg.
Wolfgang never forgot his monastic vocation. He wore the black Benedictine habit throughout his episcopacy, a visible sign that his heart remained in the cloister. He earned the title Eleemosynarius Major—the Great Almoner—for his boundless charity to the poor. He reformed Saint Emmeram's Abbey by restoring its independence from episcopal control, a revolutionary act that other German bishops soon imitated. He founded the convent of Mittelmünster and reformed Obermünster and Niedermünster. He tutored the future Emperor Saint Henry II. And in a gesture of episcopal generosity rare in any age, he willingly ceded territory from his own diocese to establish the new see of Prague under Adalbert.
But the contemplative longing never left him. Around 976, during political turmoil following the death of Otto II, Wolfgang withdrew to the Salzkammergut region. He lived as a hermit in caves at Falkenstein, above the lake that would bear his name, and built a small church at the spot where—according to the legend that grew up around him—his thrown axe had landed.
On October 31, 994, Wolfgang died at Pupping near Linz while traveling on the Danube. His body was returned to Regensburg and buried in the crypt of Saint Emmeram's. Miracles multiplied at his tomb. Pope Leo IX canonized him in 1052, and the small church by the lake became a major pilgrimage destination.
The present pilgrimage church dates largely from the fifteenth century, expanded after a devastating fire in 1429. But its crowning glory came between 1471 and 1481, when Abbot Benedict Eck of Mondsee commissioned the Tyrolean master Michael Pacher to create a new high altar. What Pacher delivered—and what pilgrims still encounter today—is one of the most remarkable works of late medieval art to survive in its original location.
Pilgrimage Church of Saint Wolfgang
The late Gothic pilgrimage church rises directly from the shore of the Wolfgangsee, its tower reflected in alpine waters. Inside, the eye is drawn immediately to Michael Pacher's double-winged altarpiece, over twelve meters high and six meters wide when fully opened. The central shrine presents a carved and gilded Coronation of the Virgin: Christ enthroned, placing a crown upon Mary's head, with life-sized figures of Saint Wolfgang and John the Evangelist as witnesses. The polyptych's movable wings allow three different configurations for ordinary days, Sundays, and high feasts—a theological calendar expressed in painted panels and sculptured pinnacles. The predella shows the Adoration of the Magi; the superstructure rises to a Crucifixion with a life-sized corpus. Pacher's genius united North Italian Renaissance perspective—he had studied Mantegna in Padua—with the intricate wood-carving traditions of the Gothic north. The result is a synthesis so complete that the altar seems almost to breathe.
Further back in the church stands the baroque double altar by Thomas Schwanthaler, created in 1675–1676. Legend holds that Schwanthaler deliberately made his altar too large for the space intended, forcing its placement elsewhere and thereby preserving Pacher's masterpiece from replacement. The Schwanthaler altar unites two predecessor altars at the site where Wolfgang supposedly built his first chapel. Its twisted columns, decorated with grapevines, frame both the relics of Saint Wolfgang on the left and a sacrament altar on the right.
Meinrad Guggenbichler's pulpit of 1706 adds a rococo flourish. Outside the church, a Renaissance pilgrim fountain dating to 1515 still welcomes pilgrims as it has for five centuries. The whole ensemble—late Gothic nave, baroque additions, and the unchanged setting of Pacher's masterwork—preserves a continuity rare in European pilgrimage churches.
Address Markt 78, 5360 St. Wolfgang im Salzkammergut GPS 47.7394, 13.4461
Map Google Maps Web dioezese-linz.at
The rocky outcrop above the Wolfgangsee where Saint Wolfgang lived as a hermit remains a place of pilgrimage in its own right. The historic route from St. Gilgen winds through forest past twenty-four marked stations documenting both prehistoric worship sites and the saint's ministry. At the summit, three impressions in the rock are attributed to Wolfgang himself. Pilgrims once carried stones up the path in penance, adding them to a pile at the summit. A small chapel marks the spot where Wolfgang rested while descending from his hermitage.
The feast of Saint Wolfgang falls on the anniversary of his death, October 31, 994. On this day—shared with All Hallows' Eve in the Western calendar—the pilgrimage church celebrates solemn Masses honoring its patron. Pilgrims have gathered here on this date for nearly a thousand years, continuing a tradition that began shortly after his canonization in 1052. The church preserves centuries of votive offerings: small tablets depicting healed ailments and fulfilled petitions, and vessels filled with peas deposited by grateful pilgrims in thanksgiving for answered prayers.
Romantik Hotel Im Weissen Rössl ⭐⭐⭐⭐S — The legendary White Horse Inn stands directly on the lakefront opposite the pilgrimage church, immortalized in Ralph Benatzky's 1930 operetta. The Peter family has welcomed guests for five generations. Ninety-four individually furnished rooms occupy nine interconnected historic buildings, some with balconies overlooking the water. The floating whirlpool in the lake is said to be the world's first. Website ∙ Reserve this hotel
Hotel Weisser Bär ⭐⭐⭐⭐ — Facing the pilgrimage church across the market square, this family-run hotel offers twenty-two rooms with balconies and a restaurant earning three toques. The hosts Miriam and Sebastian maintain the warm hospitality of a traditional Austrian Gasthaus. Website ∙ Reserve this hotel
By Air: Salzburg Airport (SZG) lies approximately 50 kilometers west, with connections to major European cities. Linz Airport (LNZ) offers an alternative at about 80 kilometers to the east.
By Train and Bus: No direct train service reaches St. Wolfgang. From Salzburg Hauptbahnhof, take bus line 150 to St. Gilgen, then transfer to bus 546 for St. Wolfgang Schafbergbahn station. The journey takes approximately ninety minutes.
By Boat: Daily excursion boats connect seven stations around the Wolfgangsee during the summer months, offering pilgrims the chance to approach the church as medieval travelers did—across the water.
By Car: From Salzburg, take the A1 motorway east toward Vienna, then exit at Thalgau or Mondsee and follow signs through the Salzkammergut. A tunnel bypass allows through-traffic to avoid the pedestrian zone, though hotel guests may drive to their accommodations.
On Foot: The historic pilgrimage route from St. Gilgen via Fürberg, over Falkenstein, and through Ried to St. Wolfgang follows paths that pilgrims have walked for centuries. Twenty-four marked stations along the way document both the prehistoric worship sites that preceded Christianity here and the ministry of Saint Wolfgang.
Books:
Unterburger, Klaus & Rimsl, Daniel (eds.). *Wolfgang, Bischof von Regensburg, Heiliger Europas* — Comprehensive scholarly volume examining Wolfgang's life, veneration, and artistic legacy across Europe. (German)
Widder, Erich. *Der Pacher-Altar in St. Wolfgang* — Illustrated guide to Michael Pacher's masterpiece with text in German, English, and French.
Online Resources:
St. Wolfgang — Biography from the Catholic Encyclopedia with details of his reform work and cult. (New Advent)
Michael Pacher, Saint Wolfgang Altarpiece — Art historical analysis of Pacher's masterpiece with high-quality images. (Smarthistory)
Pfarre St. Wolfgang — Parish website with Mass times and contact information for church tours.
Wolfgangsee Tourism — Regional tourism portal with accommodation, events, and transport information.
Salzburg (50 km) — City of Mozart and birthplace of Saint Rupert, whose eighth-century mission established Christianity in this region. The pilgrimage church of Maria Plain on its northern heights has drawn the faithful since the seventeenth century.
Altötting (90 km) — Bavaria's national Marian shrine, where the Black Madonna has received pilgrims for over five centuries. The Holy Chapel's miraculous image draws some million visitors annually.
Mariazell (175 km) — Austria's greatest Marian shrine, the Magna Mater Austriae, lies in the Styrian Alps. Organized diocesan pilgrimages from across Austria converge here throughout late summer.
Melk (150 km) — The great Benedictine abbey above the Danube holds relics of Saint Coloman, an Irish pilgrim martyred near Stockerau in 1012. Jakob Prandtauer's baroque masterpiece crowns the cliff like a vision of heavenly Jerusalem.
"Pilgrimages evoke our earthly journey toward heaven and are traditionally very special occasions for renewal in prayer."
— Catechism of the Catholic Church, 2691